(28 September 1786, Herzogenburg, Lower Austria - 28 September 1847, Mattsee, Salzburg) was an Austrian portrait and landscape painter, best known for his large-scale panoramas. Sattler attended the Vienna Academy beginning in 1804 under the tutelage of Hubert Maurer. In 1819 Sattler moved to Salzburg, where in 1824 he began to paint a 360-degree panorama of the city as seen from the top of Salzburg's castle. The massive work covered 125 square metres and was first exhibited in 1829. Salzburg made him an honorary resident. Stattler toured across Europe with the painting for ten years, writing about his return in 1838, "with 30 tons and crossing approximately 30,000 kilometres of land and water, a feat no one had ever done before me and one which would be difficult to repeat in the future." Satler's son, the artist Hubert Sattler, donated the work to the city in 1870. The painting is now on display at the Salzburg Museum in a specially designed area called the Panorama Museum.  Related Paintings of Johann Michael Sattler :. | Trivulzio Madonna | Die verlorene Spur | Nude portrait by Henri Lebasque, | Portrait of a Young Woman with a White Coif | Judith and Holofernes 333 |
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Adolf Holzel
(13 May 1853 - 17 October 1934) was a German artist/painter. His style developed from Impressionism to expressive modernism. He was born in Olomouc in Moravia, the son of the publisher Eduard Hölzel. In 1871 his family moved to Vienna, and from 1872 he studied painting at the Vienna Academy. He continued his studies in Munich at the Kunstakademie beginning in 1876. There he became acquainted with the painter Fritz von Uhde and painted in a style influenced by Impressionism. From 1888 to 1905 he worked in Dachau, where there was an artists' colony. Already during his time in Dachau his work began moving toward abstraction, reflecting his interest in such principles as the golden section and Goethe's Theory of Colors. He taught at the Stuttgart Academy, and paintedefour years before Wassily Kandinskyean abstract painting (Composition in Red, 1905). Among his students the so-called "Hölzel circle" developed, including Oskar Schlemmer, Willi Baumeister, Max Ackermann and Johannes Itten. In 1919 Adolf Hölzel left the Stuttgart Academy and went into retirement. He died in Stuttgart in 1934.
Francisco Pedro do Amaral
Amaral, Francisco Pedro do (1790 - 1831) painted Portrait of Domitila de Castro Canto e Melo, Marquise of Santos in 19th century
Honore Daumier
1808-1879 French Honore Daumier Locations In some 40 years of political and social commentary Honore Daumier created an enormously rich and varied record of Parisian middle-class life in the form of nearly 4,000 lithographs, about 1,000 wood engravings, and several hundred drawings and paintings. In them the comic spirit of Moli??re comes to life once again. After having been the scourge of Louis Philippe and the July Monarchy (1830-1848), Daumier continued as a satirist of Louis Napoleon and the Second Empire (1851-1870). Poor himself, the artist sympathized with the struggling bourgeois and proletarian citizens of Paris. As a man of the left, he battled for the establishment of a republic, which finally came in 1870. Liberals have always applauded Daumier; some conservatives, however, have been inclined to consider him woolly-minded. Honore Daumier, born on Feb. 26, 1808, in Marseilles, was the son of a glazier. When Honore was 6, the family moved to Paris, where the elder Daumier hoped to win success as a poet. Honore grew up in a home in which humanistic concerns had some importance. A born draftsman and designer who was largely self-taught, he received some formal instruction from Alexandre Lenoir, one of Jacques Louis David students. An obscure artist named Ramelet taught Daumier the elements of the new, inexpensive, and popular technique of lithography. Daumier style is so much his own that it is not easy to disentangle influences from other artists. Rembrandt and Francisco Goya are usually mentioned, along with Peter Paul Rubens, the Venetian school, and photography.